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Christopher Zara : ウィキペディア英語版 | Christopher Zara
Christopher Zara (born 1970 in Trenton, New Jersey) is an American writer. He is the author of ''Tortured Artists: From Picasso and Monroe to Warhol and Winehouse, The Twisted Secrets of the World's Creative Minds''. Zara covers media and culture for the International Business Times news website in New York City. He was employed until 2012 as managing editor of ''Show Business''〔NY Daily News, June 15, 2008〕 and has previously written for ''MovieMaker'', ''Dramatics'', and ''Emmy Magazine.''〔PR Leap, August 28, 2007〕 ''The Los Angeles Times'' described ''Tortured Artists'' as "the funniest book to come out of New York in 2012." The ''Miami Herald'' called it "madly clever and cleverly mad." Critic and psychiatrist Jacob Appel heaped praise on the volume in a 2012 review, describing the book as "a surprisingly sophisticated and oddly brilliant work—part popular science and part cultural criticism—that blends comic observation and trenchant insight into a literary treasure as difficult to put down as it is to classify."〔Appel, JM. ''Rain Taxi Review of Books'', Vol. 17 No. 2, Summer 2012 (#66)〕 ==Criticism==
Zara's theory that pain is a requirement for creating great art has been criticized by some arts institutions. Criticizing Zara on the Americans for the Arts blog, Victoria Ford said that it was "naïve" to believe that great artists "rested on their plights," and that vulnerability and courage, not pain, were requirements for great art. The University of Cambridge's Cambridge Student newspaper called Zara's theory "absurd." Zara has countered his critics by saying that people can be unsettled by the idea that being happy and being a great artist are mutually exclusive. In a 2014 interview with Ireland’s Newstalk radio, Zara further attempted to clarify the controversy. It’s possible to create art from joy, he said, but it’s art created from adversity that is most often the art worth paying attention to:
"You can have that impulse to create whether you’ve been through a tragedy or not, obviously. But to me, it's like, if you don't struggle to create your art in some way, why do I care about it? ... To me, it’s like, 'Tell me something. Tell me about your struggle. Tell me about pain. Tell me about life.' I mean, that’s what life is."
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